Hwayeon Lee’s work begins less with the question of what to paint, and more with how to settle. In a period when emotions felt crowded and unstable, she found herself looking for a steady center—something that could hold her without noise. The sensation she held onto came from Kyoto, from the measured order of a … Continue reading Hwayeon Lee: A Landscape of Jeongon (靜穩), Built Layer by Layer in Hanji