{"version":"1.0","provider_name":"Art Spoon","provider_url":"https:\/\/blog.artspoon.io\/blog","author_name":"Art Spoon","author_url":"https:\/\/blog.artspoon.io\/blog\/author\/artspoon\/","title":"Sieun Kim, Traces That Remain After Collapse - Art Spoon","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ZS6e9TANtp\"><a href=\"https:\/\/blog.artspoon.io\/blog\/2025\/11\/05\/sieun-kim-traces-that-remain-after-collapse\/\">Sieun Kim, Traces That Remain After Collapse<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blog.artspoon.io\/blog\/2025\/11\/05\/sieun-kim-traces-that-remain-after-collapse\/embed\/#?secret=ZS6e9TANtp\" width=\"600\" height=\"338\" title=\"&#8220;Sieun Kim, Traces That Remain After Collapse&#8221; &#8212; Art Spoon\" data-secret=\"ZS6e9TANtp\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/blog.artspoon.io\/blog\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/blog.artspoon.io\/blog\/wp-content\/uploads\/2025\/11\/800x400-1.png","thumbnail_width":800,"thumbnail_height":400,"description":"Sieun Kim records what remains after collapse with low-saturation color, layered washes and unhurried lines. Her paintings avoid spectacle and keep pace with daily breath. Rather than answers, they leave space for questions to continue and settle into our time."}